Melissa Katsoulis explores the strangest corner in the bizarre world of the literary hoax

Researching a book about literary hoaxes led me to investigate a sub-section of the misery-memoir genre which often left me reeling in amazement: the Holocaust hoaxers. Special privilege must be given to those increasingly few witness-writers who survived the Second World War in Europe, but they have certain duties too.

It is their right to write how and when they want (perhaps many decades later, if they are ready) and, as with Elie Wiesel, with their own definitions of truth and fiction. It was he who said that “Some stories are true that never happened.”

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Gilad Atzmon develops the subject